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Nightcrawler (2014)

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2:23 | Trailer
When Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.

Director:

Dan Gilroy

Writer:

Dan Gilroy
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Popularity
840 ( 96)
Nominated for 1 Oscar. Another 43 wins & 120 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jake Gyllenhaal ... Louis Bloom
Michael Papajohn ... Security Guard
Marco Rodríguez ... Scrapyard Owner (as Marco Rodriguez)
Bill Paxton ... Joe Loder
James Huang ... Marcus Mayhem Video
Kent Shocknek ... Kent Shocknek
Pat Harvey Pat Harvey ... Pat Harvey
Sharon Tay Sharon Tay ... Sharon Tay
Rick Garcia Rick Garcia ... Rick Garcia
Leah Fredkin ... Female Anchor
Bill Seward ... Bill Seward
Rick Chambers Rick Chambers ... KWLA Anchor Ben Waterman
Holly Hannula Holly Hannula ... KWLA Anchor Lisa Mays
Jonny Coyne ... Pawn Shop Owner
Nick Chacon Nick Chacon ... Cop #1
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Storyline

NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling - where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou blurs the line between observer and participant to become the star of his own story. Written by Open Road Films

Plot Summary | Plot Synopsis

Taglines:

How far would you go for the American Dream? See more »

Genres:

Crime | Drama | Thriller

Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

6 November 2014 (Netherlands) See more »

Also Known As:

Primicia mortal See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend USA:

$10,900,000, 1 November 2014, Wide Release

Gross USA:

$32,381,218

Cumulative Worldwide Gross:

$50,334,418
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The creators consulted with an LA-based "Stringer" organization called RMG News, owned and operated by Howard, Austin and Marc Raishbrook, who also feature in Netflix's original series 'Shot in the Dark' (2017). Two of the brothers appear very briefly as extras in the film after Lou arrives late to a fire. See more »

Goofs

The camera does a full view around the red car as Lou is chasing the police cars. The V8 exhaust engine sound is heard when the camera is at the front of the car and not the back. See more »

Quotes

[Last Lines]
Nina Romina: I think Lou is inspiring all of us to reach a little higher.
See more »

Crazy Credits

NightcrawlerLLC did not receive any payment or other consideration, nor entered into any agreement, for the depiction of tobacco products in this film. See more »

Connections

Featured in Half in the Bag: Inherent Vice and Oscar Buzz (2015) See more »

Soundtracks

CITY OF ANGELS (FEAT. C PLUS)
Written by Jared MacGill and James Paxton (as James 'Jpax Akrasia' Paxton)
Performed by All in a JaysWork
Courtesy of All in a JaysWork
See more »

Frequently Asked Questions

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User Reviews

 
The only thing worse than a nightcrawler is the coroner in the eyes of a victim
3 November 2014 | by StevePulaskiSee all my reviews

"Nightcrawler" is the kind of film that will catch audiences by surprise with its painstaking thoughtfulness, and features the kind of lead character that will be discussed in film circles who don't detest American cinema and actually give it the benefit of the doubt. The film plunges us into the dark, seedy world of a nightcrawler, somebody who, often working freelance with his or her own equipment and schedule, patrols the streets of crowded cities with multiple police scanners searching for recently-committed crimes in the neighborhood, like rape, shootings, murders, car accidents, and so forth. The object of a nightcrawler is to get candid and intimate shots of the ugliness that plagues these scenarios as quickly and as neatly as possible and sell them to news stations or eyewitness programs to turn quick profit. Job requirements include possible insomniac, lack of emotional connection or any immediate empathy to tragedy or horror, exceptional navigational/driving skills, and a load of free time.

Jake Gyllenhaal plays Lou Bloom, a man at rock-bottom living in Los Angeles, selling scrap metal to get money before eventually turning to the nightcrawling business. He teams up with Rick (Riz Ahmed), a young man desperate to make money to keep a roof over his head, who helps navigate Lou's routes as a nightcrawler and learns of numerous police codes to help Lou decipher the police scanner jargon. Together, the two make for an amateur nightcrawling team, turning profit by selling the footage – expertly shot, analyzed, and even occasionally manipulated by Lou – to Nina (Rene Russo), the station manager of a severely failing news station that is in dire need to regain viewership.

Ultimately, "Nightcrawler" juggles two tricky but immersing features with its material, simultaneously giving us a look into a grimy and often dirty gig as somebody who is essentially a voyeur into the most vulnerable time of the people he meets and posing frightening commentary on contemporary news. The nightcrawler is not looking to help or to provide encouragement; he's there to get his shots and move on, hoping to turn as large of a profit as he can. We see Los Angeles in the light of what could be classifiable as a contemporary film noir, in dark, sometimes shadowy-photography and dingy environments that reveal an ugliness to a city that is normally captured as very beautiful and ideal in terms of climate. Director Dan Gilroy and cinematographer Robert Elswit (a frequent collaborator of Paul Thomas Anderson) do everything in their power to subvert our ideas of Los Angeles and focus on transitory locations that show the ugliest of human events in such a way that is beautiful and captivating thanks to crystal-clear photography.

The other feature "Nightcrawler" toys with is the contemporary exploration of journalistic ethics and how, with local cable news competing with so many twenty-four hour news stations, who, in turn, are also battling more rapidly-updated social media websites, the manipulation of news is ever-present on Television. News programs, like sitcoms, reality shows, and sports events, are a game of numbers and those numbers are ratings – something that "Nightcrawler" makes depressingly clear to us. A crucial scene to this message comes into play when Lou has shot and sold the defining tape of his career and has worked to manipulate it for personal gain. He watches as Nina plays the tape on the air, directing the news anchors in such a specific way in terms of language and mannerisms that we see the fear-mongering happen right before our eyes.

On top of all the social commentary, we see amazingly realistic crime scenes and car accidents to boot. Perhaps it's the lack of intimacy many directors lend to these situations, often showing a car accident, and characters limping and trudging along with little bloodshed, but "Nightcrawler" details these scenes with an incredible eye for attention and realism. Gilroy makes us the voyeur and gives the window into these car accidents that we glance over to see but not entirely anticipate or really want to see. The attention to detail in these seems is simply exquisite and uncommonly believable.

"Nightcrawler," in addition, features a wonderful performance by Gyllenhaal who, like his co-star Paul Dano in last year's "Prisoners," plays detached and empty with such conviction, and channels something of an inner-Philip Seymour Hoffman in "Owning Mahowny," showing his character's complete fulfillment when obsessing over his job and his work. Even Riz Ahmed shouldn't be overlooked here, playing the overworked and under-appreciated assistant to Gyllenhaal's Lou in a role that could've been an empty, and even distracting, side role. The entire project is rich in commentary, performances, and environmental beauty that it could easily be one of the most complete films of the year.


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