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In Paris in 1931, an orphan named Hugo Cabret, who lives in the walls of a train station, is wrapped up in a mystery involving his late father and an automaton.

Director:

Martin Scorsese

Writers:

John Logan (screenplay by), Brian Selznick (based on the book entitled "The Invention of Hugo Cabret" by)
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Popularity
1,459 ( 197)
Won 5 Oscars. Another 57 wins & 186 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Kingsley ... Georges Méliès
Sacha Baron Cohen ... Station Inspector
Asa Butterfield ... Hugo Cabret
Chloë Grace Moretz ... Isabelle
Ray Winstone ... Uncle Claude
Emily Mortimer ... Lisette
Christopher Lee ... Monsieur Labisse
Helen McCrory ... Mama Jeanne
Michael Stuhlbarg ... Rene Tabard
Frances de la Tour ... Madame Emilie
Richard Griffiths ... Monsieur Frick
Jude Law ... Hugo's Father
Kevin Eldon ... Policeman
Gulliver McGrath ... Young Tabard
Shaun Aylward ... Street Kid
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Storyline

Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

Discover the Key to the Mystery. See more »


Certificate:

9 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA | UK | France

Language:

English

Release Date:

16 February 2012 (Netherlands) See more »

Also Known As:

La invención de Hugo Cabret See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$11,364,505, 18 November 2011, Wide Release

Gross USA:

$73,864,507, 12 April 2012

Cumulative Worldwide Gross:

$185,770,160, 12 April 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Martin Scorsese sent Screenwriter John Logan the book "The Invention of Hugo Cabret" by Brian Selznick. When John Logan began reading the book, he completely understood why Martin Scorsese was interested in adapting it. See more »

Goofs

When Hugo and Isabelle are standing on a bridge, Notre Dame Cathedral is behind her to the west. The camera shifts to Hugo and he points behind himself (east) a mile away to the Montparnasse train station where he lives. The Montparnasse station is actually nearly two miles southwest of Notre Dame. See more »

Quotes

Isabelle: [last lines; at the part Isabelle smiles as she watches Hugo doing magic tricks, she sits and starts writing in her notebook]
[voice over]
Isabelle: Once upon a time, I met a boy named Hugo Cabret. He lived in a train station. Why did he live in a train station, you might well ask. That's really what this book is going to be about. And about how this singular young man searched to hard to find a secret message from his Father, and how that message lead his way, all the way home.
[...]
See more »

Crazy Credits

There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »

Connections

Features The Kid (1921) See more »

Soundtracks

Carinosa
Written by Alberto Larena and Auguste Pesenti
Produced by Jean-Michel Bernard
Performed by Les Primitifs du Futur: Dominique Cravic, Hervé Legeay, Romane, Jean-Philippe Viret, Mathilde Febrer and Daniel Colin
See more »

Frequently Asked Questions

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User Reviews

 
Beautiful, accomplished and fun
26 February 2012 | by tomgillespie2002See all my reviews

There must be something unifying in our globes collective consciousness, as 2011 saw two films that looked back at the cinematic past. Strangely, it took a French film maker, Michel Hazanavicius, to release a movie that pays homage to early, silent American cinema (The Artist). Conversely, Martin Scorsese, a well-known cinephile, delights with his love of early European silent cinema, in his often beautiful 'children's' film, Hugo.

Set in 1930's Paris, the main focus of this cinematic love is the work of the first movie magician, Georges Melies. We are introduced to Hugo (Asa Butterfield), a young man whose father left him a automaton after his death. It was a project that they worked on together, but never finished it. Hugo's main mission is to get the object working. As an orphan, Hugo hides in the rafters of a train station, maintaining the clocks that his drunken uncle used to do. After befriending a young girl, Isabelle (Chloe Moretz), he finally gets the automaton working, and it opens up a mystery that leads to the forgotten cinema of Melies (Ben Kingsley), now working on a store in the station.

The film shows love for silent cinema, and particularly the magic of Melies. Sacha Baron Cohen's station inspector is occasionally funny, and his character seems to be filtered through both Peter Sellers' Inspector Clouseau, and Jacques Tati's Monsieur Hulot, but he just doesn't seem to really progress at all, and feels almost like a filler character. Scorsese, like Robert Zemekis and Bob Gale before, reference that iconic Harold Lloyd moment in Safety Last! (1923), as Hugo hangs from a clock face.

Like so many others who speculate about the choices of Oscar nominations, Hugo, I feel, is not a contender for the best picture Oscar. There were some far better films produced in 2011. That said, the film is beautiful, accomplished , and often fun. Also, the resurgence of interest in a forgotten father of cinema, is completely touching, and leaves a warm feeling in the heart. Unfortunately, I did not see this in 3D; as far as I am aware, Scorsese uses it to brilliant degrees, so perhaps this would have made the experience perfect (despite the fact that I care not for the dimensions of 3.

www.the-wrath-of-blog.blogspot.com


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