FBI trainee Clarice Starling works hard to advance her career, while trying to hide/put behind her West Virginia roots, of which if some knew, would automatically classify her as being backward or white trash. After graduation, she aspires to work in the agency's Behavioral Science Unit under the leadership of Jack Crawford. While she is still a trainee, Crawford asks her to question Dr. Hannibal Lecter, a psychiatrist imprisoned, thus far, for eight years in maximum security isolation for being a serial killer who cannibalized his victims. Clarice is able to figure out the assignment is to pick Lecter's brains to help them solve another serial murder case, that of someone coined by the media as Buffalo Bill, who has so far killed five victims, all located in the eastern US, all young women who are slightly overweight (especially around the hips), all who were drowned in natural bodies of water, and all who were stripped of large swaths of skin. She also figures that Crawford chose ...Written by
Jodie Foster has blue eyes. When she is at the funeral home she has a flashback and sees her father in the casket. Clarice as a little girl is supposed to be going to see her father in the casket. The little girl's eyes are Hazel, not blue. Adult Clarice could wear colored contacts. See more »
There is a 'Moth Wrangler/Make-Up' listed in the crew list. See more »
Criterion's Special Edition on DVD features outtake footage not included in the theatrical version, including:
a longer version of the scene where Clarice discovers Raspail's head inside Your-Self Storage;
a longer version of the scene where Lector explains to Clarice how to identify Buffalo Bill from his rejected applications for sex change surgery. The dialogue is longer and is taken almost verbatim from Thomas Harris' novel, and plays over a scene where the camera moves inside Buffalo Bill's cellar, stopping at the edge of the pit where Senator Martin's daughter is held. This is the same scene that appears in the theatrical version, right after Starling's visit to the enthomologists Roden and Pilcher, with no voiceover but with music and sound effects and Katherine Martin's screams coming from the pit;
a brief new scene where Starling is given a gun from instructor Brigham right before her departure for West Virginia;
an alternate version of the car scene where Starling and Crawford are talking after the Elk River victim's autopsy. In the theatrical version, Crawford apologizes to Starling for humiliating her in front of the state troopers; the alternate take has Starling revealing that a bug cocoon was found in Benjamin Raspail's throat. In the theatrical version this information is not revealed until later, when Starling mentions it during one of her encounters with Lector;
a longer version of the telephone conversation between FBI Director Burke, Paul Krendler and Crawford after the phony offer to Lekter has been discovered; Crawford tries to convince Krendler not to accept Lector's help;
a new scene showing a meeting with Starling, Crawford, Paul Krendler and and FBI Director Burke; Krendler blames Starling and Crawford for Lector's escape and Burke suspends them both from the case;
the DVD also features the complete video monologue from performance artist Jim Roche as the TV Evangelist; in the theatrical version Roche appears on a TV put in front of Lector's cell, as punishment for Miggs' death.
Brilliant Best Picture of 1991 that never gets old. "The Silence of the Lambs" deals with a young FBI cadet (Oscar-winner Jodie Foster) who is sent to interview a captured madman (Oscar-winner Anthony Hopkins in one of the greatest performances ever on the screen) to find out about a serial killer (Ted Levine) who is stripping the skin from his female victims after they die. The FBI has had no luck with the case and agent Scott Glenn tries to throw a curve-ball to Hopkins by sending Foster. Hopkins is a former doctor of Levine and holds the clues to capturing the unknown criminal. Needless to say the film takes many twists and turns, creating a suspenseful thriller that has no equal. At the heart of "The Silence of the Lambs" are the confrontations between Hopkins and Foster. They play a complicated chess match of words which results in some of the greatest footage ever captured for the cinema. Hopkins dominates in spite of the fact he has approximately 17 minutes of time in the film. This is a film that will wrap itself around you and you will likely never be able to shake some of the key elements you have seen in this amazing masterpiece. 5 stars out of 5.
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