5.8/10
1,492
27 user 12 critic

Wrong Is Right (1982)

A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads television newsman ... See full summary »

Director:

Richard Brooks

Writers:

Charles McCarry (novel), Richard Brooks (written for the screen by)
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sean Connery ... Patrick Hale
George Grizzard ... President Lockwood
Robert Conrad ... Gen. Wombat
Katharine Ross ... Sally Blake
G.D. Spradlin ... Philindros
John Saxon ... Homer Hubbard
Henry Silva ... Rafeeq
Leslie Nielsen ... Mallory
Robert Webber ... Harvey
Rosalind Cash ... Mrs. Ford
Hardy Krüger ... Helmut Unger (as Hardy Kruger)
Dean Stockwell ... Hacker
Ron Moody ... King Awad
Cherie Michan Cherie Michan ... Erika
Tony March Tony March ... Abu
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Storyline

A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads television newsman Patrick Hale on an international chase to track them down, and uncover the twisting maze of apparent involvement of U.S. Government agencies. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis

Taglines:

If it doesn't happen on TV, it means nothing! See more »

Genres:

Comedy | Drama | Thriller

Certificate:

12 | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 November 1982 (Netherlands) See more »

Also Known As:

The Man with the Deadly Lens See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$1,412,646, 16 May 1982, Wide Release

Gross USA:

$3,379,569
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

One of this movie's main posters was designed in painted artwork, featuring Sir Sean Connery standing in a James Bond-like pose with a television camera, instead of a gun, and with two girls in bikinis at his feet. In the background, inside a circle (evoking a gun barrel), were two scenes of action, while in the air above, was a spy satellite. All these elements were typical of the James Bond movie franchise, of which Connery had been a big part. This was not the original poster for this movie. The Bond-type poster was used in various non-U.S. markets, replacing the original poster, after the film was a commercial failure in North America. This was the second Sir Sean Connery non-Bond film to have a Bond-like poster in just a few years, as the main movie poster for Cuba (1979), was also designed like a Bond movie poster. See more »

Goofs

The lighting changes between the live and the obvious studio shots of Hale parachuting from the plane in the opening sequence. For example, there are 3 light sources in the studio shot reflected on his helmet (including one from in front of him as he looks out from the plane), rather than just the sunlight from above. See more »

Quotes

Patrick Hale: You call that news? We peddle disaster! And violence, it's commercial! Blood and tears and football and cheers. Performers, superstars. Get them on, get them off. Next, next, fast, fast! We're in the entertainment business. There's nothing wrong with that... if you call it that.
See more »

Crazy Credits

Filmed in New York, Washington, D.C., Texas, New Mexico, France, Italy and Hagreb. [Hagreb is a fictional country featured in the movie, and France and Italy appear only in archive footage.] See more »

Alternate Versions

The UK video release versions entitled "The Man with the Deadly Lens" were cut first by 2 seconds, then re-released cut by 7 seconds to reduce footage of a bomb being made from a light bulb. However, the DVD released in 2004 entitled "Wrong is Right" is uncut. See more »

Connections

Spoofs Goldfinger (1964) See more »

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User Reviews

 
Deserves a thumbs-up 20 years later.
21 May 2004 | by DerrickLyle2004See all my reviews

I agree with the positive reviews others have posted. I won't spoil anything for those who have not seen it, but the film is disturbingly accurate to the reality of the past few years (circa 2004). Wrong Is Right is a black comedy and an excellent work of science fiction. The credit goes to Richard Brooks as well as original author Charles McCarry. Based on McCarry's 1979 novel "The Better Angels", Wrong Is Right takes a comedic twist, and touches on topics few could have easily digested during the Reagan Presidency of 1982.

The plot revolves around globetrotting news-hound Patrick Hale (Sean Connery), who uncovers a major international crisis, and must contend with a sinister President, the CIA, and international terrorists. The original intent of director Richard Brooks was to illustrate how technology could bring TV news closer to the truth, and exploit it for ratings. Taking essential cues from the novel, Mr. Brooks leads the viewer into a hazy world in which technology and television manipulate reality for personal gains. The movie accurately predicts the rise of cable and satellite TV. It nails the what-ifs of a media outlet (Fox Broadcasting/Fox News Channel come to mind). And it's an early look at how computers and modern technology affect society. The big clincher is that the movie literally provides a twisted take on the Bush Administration - I kid you not.

Remember, this movie was made during the Cold War. No one worried about America fighting anyone else but the Soviet Union. Cable television, while gaining steam, was nowhere near as engrossing or developed as it is today. And no one in America cared about suicide bombers. Do yourself a favor and rent or purchase the video/DVD. Enjoy the movie for the spectacle it is. And realize what was science fiction years before is now a freakish parody of today.

The acting, the pacing, and the writing are good to great, considering the topic. It gets funnier as the film finishes. Just remember, the cast and crew were on eggshells, as the film itself is groundbreaking. It is a political satire predating its subject matter. And for another generation, it becomes far more familiar and timely than Dr. Strangelove.


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