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[on influences] I tend to use references and influences from outside of film music, and I think for this one [Sicario
(2015)], there's the percussive approach and the power of the percussion and this kind of relentless pulse, and also this kind of slow, mournful beat. For example, in this cue, which is called "The Beast," - and all throughout the score, really - I was influenced by industrial ...
Lived in Berlin, Germany.